List of compositions by Frédéric Chopin by musical form

This is a list of compositions by Frédéric Chopin by musical form. There is a separate list by opus number.

Most of Chopin's compositions were for solo piano, although he did compose two piano concertos (his concertos No. 1 and No. 2 are two of the romantic piano concerto repertoire's most often-performed pieces) as well as some other music for ensembles.

His larger scale works such as sonatas, the four scherzi, the four ballades, the Fantaisie in F minor, Op. 49, and the Barcarole in F-sharp major, Op. 60 have cemented a solid place within the repertoire, as well as shorter works like his polonaises, mazurkas, waltzes, impromptus and nocturnes taking a substantial portion of recorded and performed music.

Two important collections are the Études, Opp. 10 and 25 (which are a staple of that genre for pianists), and the 24 Preludes, Op. 28 (a cycle of short pieces paired in a major key/relative minor key pattern following the circle of fifths in clockwise steps). In addition, he wrote numerous song settings of Polish texts, and chamber pieces including a piano trio and a cello sonata.

This listing uses the traditional opus numbers where they apply; other works are identified by numbers from the catalogues of Maurice J. E. Brown (B), Krystyna Kobylańska (KK), and Josef Michał Chominski (A, C, D, E, P, S).

Contents

Piano solo

Ballades

Études

Fanciful nicknames have been given to most of Chopin's Études from time to time, although Chopin himself never used nicknames for these pieces, and none are authentic. Only about three such nicknames are widely used: Op. 10, No. 5 Black Keys; Op. 10, No. 12 Revolutionary; and Op. 25, No. 11 Winter Wind. A number of occasionally suggested nicknames are shown below.

Impromptus

Posthumously published

Mazurkas

Posthumously published

With opus numbers
Without opus numbers

Nocturnes

Posthumously published

With opus number
Without opus numbers

Polonaises

Posthumously published

With opus numbers
Without opus numbers

Preludes

Posthumously published

Rondos

Posthumously published

Scherzos

Sonatas

Posthumously published

Variations

Posthumously published

Lost

Waltzes

Posthumously published

With opus numbers
Without opus numbers

Miscellaneous pieces for solo piano

Posthumously published

With opus numbers
Without opus numbers

Piano and orchestra

Concertos

Miscellaneous

Cello and piano

Violin, cello and piano

Vocal

Posthumously published

With opus numbers

Without opus numbers

Notes

  1. ^ The Andante spianato et grande polonaise brillante in E flat, Op. 22, commences with a lengthy piano solo (Andante spianato), which segues into the Grande polonaise, which is scored for piano and orchestra. The work is generally classified as a work for piano and orchestra; however, Chopin also wrote a piano solo version.

See also

References

External links